Day three of my week of REVENANT previews brings Chapter Two. If you're just checking it out now, you might want to read the prologue and Chapter One first... [;
Here's Chapter Two:
2
“Help me with him, for crying out loud,” Raven grumbled. “He might look like a bag of bones but he’s still heavy!”
Max Acton ignored the petulance in her tone and strolled out the front door of the crumbling, two-story Victorian home. He had watched from the living room window as she leapt from the driver’s seat of the Porsche with her peculiar, cat-like grace and crossed in front of the car to the passenger’s side. Now he smiled in amusement at the sight of the tiny young woman grabbing their sleeping target by both shoulders and shaking him awake, tugging on his arms insistently, trying to pull him out of the vehicle.
It had taken exhaustive research followed by months of surveillance to narrow the list of potential subjects down to Earl Manning. Paskagankee was a small and isolated community, but even in a town this small, dozens of men fit the profile Acton was looking for, and selecting the proper target was not a decision to be rushed into or taken lightly.
In the end, though, it had come down to Manning. The loser in this particular sweepstake was relatively young and in apparently decent physical condition, despite years of heavy drinking. He was single, a loner with no wife or girlfriend, no steady job, and only a broken-down alcoholic mother to raise the alarm when he suddenly vanished. Max knew the cops would pay little attention to her.
The only real cause for concern regarding Earl Manning’s suitability as a test subject was his past relationship with a female Paskagankee police officer, a beautiful young woman named Sharon Dupont. The last thing Max Acton needed was some ex-lover cop digging into Manning’s disappearance, unearthing—Max smiled to himself at the pun—things that were best left undisturbed.
The more research Max conducted, though, the clearer it became that this Dupont bitch would be a non-factor. The relationship—such as it was—between the cop and Max’s chosen test subject had taken place years before, while the girl was still in high school, and had been based more upon a shared passion for alcohol and getting high than on any kind of mutual love or respect. Dupont had gone on to straighten her life out, eventually attending the FBI Academy before eventually returning to Paskagankee to care for her terminally ill father.
Now, all indications were that Officer Sharon Dupont had become involved with the Paskagankee Chief of Police, Mike McMahon, leaving little doubt she had left her tenuous connection with Earl Manning behind forever. Of course, Max knew that if he was wrong, he would be inviting trouble of the worst sort, but the fact of the matter was that eventual police involvement was inevitable. There was no way around it. Even if they avoided arousing suspicion with Manning’s disappearance, when Max began putting his plan in motion an investigation would definitely be launched.
The goal was simply to avoid the appearance that anything was amiss for as long as possible, and to leave nothing tying Max Acton to the fallout when the authorities did become involved. Earl Manning seemed to be the subject who would best allow him to accomplish this goal, so Earl Manning it was, despite his long-ago ties to a member of the Paskagankee Police Department.
In a way, Max was comforted by his discovery of Sharon Dupont’s alcoholic past. He had seen Officer Dupont around town, and her beauty was truly breathtaking. She was perhaps the equal of Raven in the looks department and it was a rare woman who could make that claim. The connection between a pretty go-getter like Sharon Dupont and an alcoholic loser like Earl Manning had initially mystified Max. There was no accounting for taste, though, as the old saying went, and his discovery of Dupont’s alcoholism explained a lot. Addicts liked to hang together.
Max stood back a couple of paces and watched Raven struggle to remove Manning from the Porsche. The subject had been roused from his torpor but still seemed logy. Manning peered around confusedly, clearly attempting to get his bearings but just as clearly unable to do so. Max wasn’t surprised. He had leased a home in one of the most out-of-the-way, obscure little corners of an out-of-the-way, obscure little town. It was entirely possible, likely even, that Earl Manning had never seen the house or even visited this area despite being a life-long resident of Paskagankee.
Raven grabbed Manning by the elbow, yanking, pulling the drunk out of the car with surprising strength for such a delicate-looking woman. The drunken man scrabbled for purchase as he exited, trying to get his feet underneath his body, standing too soon and smacking his head against the car’s frame with a loud clunk.
“Come on baby, slow down,” he protested, rubbing one hand vigorously over what was going to be a good-sized bruise on his forehead. “We’ll get started soon enough, don’t you worry, I’m gonna—" He froze when he saw Max in the shadows and began backing up, shrugging out of Raven’s grasp. Only now did he seem to suspect that his anticipated night of passion was never going to happen. But now, of course, was much too late for this potentially life-saving insight to make any difference.
Max moved forward quickly and flanked Manning on the left, leaving Raven to steady his right elbow, and together they began escorting their guest across the driveway in front of the Porsche and up the cracked flagstone walkway toward the front door.
“What’s this all about?” the drunk sputtered, turning his attention to Raven and in the process spraying her with spittle. She grimaced and wiped a palm over her face and didn’t answer.
He looked to his left. “Who are you?” he asked Max, who didn’t have to wipe any saliva off his face but who didn’t answer, either. They were moving quickly, taking advantage of the surprise factor to hustle their guest into the house. He would be joining them inside now no matter what—that particular die had been cast the moment Manning joined the seductive Raven in the Porsche—but the farther they could move things along before he got truly frightened rather than just angry and confused, the easier and more painless the whole process would be.
At least for them.
They bum-rushed their stumbling, complaining guest up the three rotting front steps, through the door and into the house and as they did, Max withdrew a heavy plastic bag from the back pocket of his sharply creased dress pants. He moved methodically, taking his time. It would not do to drop the damned thing now that they were so close to completing the first step in the plan.
Raven continued to shepherd Manning into the living room and Max hung back after pulling the front door closed. With their guest safely inside the house, there was no need for haste. Their victim’s fate was now sealed.
__________
Tomorrow will feature Chapter Three. REVENANT is a 75,000 word novel which works as Book Two in the Paskagankee series and also as a stand-alone supernatural suspense novel. It's priced at $3.99. Thanks for reading!
The continuing adventures of one man's quest to achieve publication, validation, and money-make...shun...
Tuesday, July 3, 2012
Monday, July 2, 2012
REVENANT excerpt: Chapter One
It's Day Two of the week of excerpts from my brand-new supernatural suspense novel, REVENANT. Yesterday featured the prologue, today is
Chapter One:
Earl had been a regular at the Ridge Runner for so long no one dared consider sitting in his spot, even when he wasn’t there. Far end of the bar, wobbly two-person table kitty-corner across the room from the entrance. Close to the john, far enough from the door to be out of the firing line of the almost lethal gusts of frigid air that swept into the room any time a patron entered or exited from late October through late April, day or night. Winter was by far the longest of the four seasons in Paskagankee, Maine.
Bartender and longtime Ridge Runner owner Bo Pellerin slopped a fresh beer on the table as Billy Ray Cyrus—the real Cyrus, not wannabe rock-star daughter Miley—whined and complained about his achy-breaky heart, whatever the hell that meant. Earl Manning considered himself something of an expert in the field of achy-breaky hearts, as his last trip to the doctor, roughly three years ago, had resulted in a stern warning from the old quack to slow his drinking pace. Earl didn’t think that was what Billy Ray was talking about.
Actually, “Stop drinking entirely,” was what the quack doctor had said, “before all that alcohol kills you.” The guy spun some bullshit about mitral and tricuspid valve deficiencies and plaque buildup in the arteries—apparently Earl’s achy-breaky heart had less to do with love and loss than a weakening muscle critical to the body’s continued operation, at least if he believed the quack, which he didn’t—just before hitting him with almost a three hundred dollar charge. Earl had ignored the outrageous bill just as he had ignored the diagnosis, vowing at that time never to return to the fucking quack’s office.
That was three years ago, and look at him, still sitting at his table just beyond the far end of the bar, still drinking—more, if anything, not less—and still very much alive. Sure, he suffered from the shakes some mornings (most mornings if he was being honest with himself); and sure, there were those disconcerting moments when he had trouble catching his breath climbing a normal flight of stairs and was forced to stop and rest halfway, but that sure as hell wasn’t due to heart trouble. After all, Earl reasoned, he was only in his late twenties, and achy-breaky hearts were for geezers, Billy Ray Cyrus’s opinion on the matter notwithstanding.
The front entrance swung open and then slammed closed. Earl barely noticed. It was almost midnight and the Runner was hopping, so the damned door seemed to be on a swivel, anyway. Plus it was early summer, meaning the cold air that normally accompanied the arrival of a new patron had gone on vacation for a few months. It would be back soon enough, but for now, the only things that might have entered the bar were a new customer and a few mosquitoes, and Earl couldn’t care less about either one. As long as he could still get Bo’s attention when his thirst demanded another beer, he didn’t give a damn if Billy Ray Cyrus himself had just walked in.
His disinterest didn’t last long, though. He glanced up, bleary-eyed, and discovered it was a woman who had entered, a woman he did not recognize, and a beautiful one at that. Aside from Blanche Raskiewicz, who had been frequenting the Runner longer than Earl and whose skin was so weathered and dried out it looked like her face had been patched together out of strips of old leather, the “fairer sex” tended to stay away from the Ridge Runner. It was not an establishment that saw many female faces.
Especially female faces like this one.
The woman was young and beautiful. Long jet-black hair cascaded in waves halfway down her back, terminating in lazy ringlets a few inches north of her butt, which was accentuated in skin-tight faded jeans with no visible panty lines. Earl knew because it was the first thing he checked. His eyes might be red-rimmed from all the Budweiser and he might almost have reached the point where he would soon begin seeing double, but he was as much an expert in panty lines as he was in achy-breaky hearts, and he would have bet his miserable life this chick wasn’t wearing any.
The face framed by that black hair could fairly be described as angelic, with flawless copper skin, a delicate, slightly upturned nose and the most intense green eyes Earl had ever seen. Her mouth was a slash of vivid red as she pursed her lips in concentration, walking slowly through the crowd, clearly searching for someone specific. Ridge Runner patrons parted before the beautiful young woman like the Red Sea before Moses. She didn’t seem to notice. She was probably used to it.
She meandered through the bar and the raucous cacophony of drunken voices dimmed, eventually fading away entirely. Even the music seemed to have stopped for the time being. An occasional cough and the shuffling of boots on the dirty floor were the only sounds. Earl wondered who the lucky bastard was that she was looking for and, more importantly, why. He knew pretty much everyone in here, and all of these dumb fucks put together didn’t have the class this babe had in her little finger. That much was obvious.
Earl didn’t care how classy she was, though. He had a prime view of this chick’s pantiless ass and that was good enough for him. She had made a hard right turn after entering the bar and was moving steadily counterclockwise around the outside of the room, still searching, peering left and right as she walked. Soon she would pass directly in front of Earl’s mesmerized face and shortly after that would be right back at the front door where she started.
Obviously, the guy she was looking for wasn’t here, which was hard to believe. Earl figured if he was the lucky son of a bitch who had made plans to meet up with this hot piece of ass at the Ridge Runner, he would camp out a couple of days in advance, just to be sure he didn’t miss her. Although, in his case, that wouldn’t have meant doing much of anything different than usual. His waking hours more or less coincided with the Runner’s hours of operation, anyway.
The girl reached Earl’s rickety table and instead of continuing past as he assumed she would, she took a seat, easing onto the empty chair next to him and fixing him with a stare from those curiously green eyes. They were spellbinding, and it took a few seconds for Earl’s brain to process the fact that she had just spoken to him. “Uh . . . ‘scuse me?”
A knowing smile flitted across her face, as if she had this effect on men all the time. Probably she did. “I said hello,” she repeated. “How are you doing tonight?”
“Just great. Getting better all the time, in fact.” It finally occurred to a stunned Earl Manning that he was the one she had been searching out, as hard as that was to believe.
“Buy you a drink?” Earl asked, frantically attempting some basic math in his alcohol-addled brain. He wasn’t sure he had enough cash left to buy anything for this gorgeous specimen, but didn’t really care, either. If he couldn’t pay that asshole Bo Pellerin at closing time he would worry about it then.
“White wine would be lovely,” she said, still smiling, her eyes locked onto Earl’s. God, but they were captivating.
Earl signaled Bo and the bartender approached with a look of incredulous disbelief written all over his face. Earl figured the same look was probably on his own face. “White wine for my friend, please,” he said, wondering if anyone had ever ordered wine before inside the Ridge Runner.
For just a moment he thought Pellerin was going to make some sort of wise-ass remark. The bar’s owner didn’t, though. Instead he turned without a word and walked back behind the bar. Bo grabbed a dusty bottle Earl had never noticed before off one of the mirrored shelves and poured the contents into what Earl guessed was a wine glass. Who the hell knew? Hopefully the damned thing was at least clean, although the prospect seemed unlikely.
Bo placed the glass in front of the chick and walked away and Earl realized he had no idea what to say next. He wracked his slow-moving brain as panic threatened to overwhelm him. This was the most stunningly beautiful girl he had ever had a shot with. The only other one who even came close was that bitch Sharon Dupont, and that had been a long, long time ago, back when she was still a high school kid, years before she had kicked her drinking habit and become a cop, of all things.
His mind snapped back to the present, and to the awful knowledge that if he didn’t say something soon, preferably something suave or at the very least semi-coherent, this gorgeous babe was going to think he was mute and maybe mentally deficient, too. The only thing he could think of was, “Do you come here often?” which was pointless. For one thing he already knew the answer to that particular question, and for another he realized, even in his present state of drunkenness and rising panic, it was the most clichéd pickup line in the book.
She saved him.
“So, do you come here often?” she asked, and coming from her it sounded like the wittiest conversation-starter ever. Bo Pellerin dropped the wine bottle down on the bar with a thud and walked away, shaking his head as he went. The girl continued gazing at him, smiling softly, acting like he was Jake Freaking Gyllenhall or something, rather than what he was: a twenty-nine year old rail-thin raging alcoholic with bad skin and a balky heart sitting in a dive bar in the middle of God-forsaken nowhere, a rifle shot from the Canadian border.
“Yes, as a matter of fact, I do,” he answered, surprising himself by speaking clearly and not slurring his words. He wondered how long he could keep up that little bit of verbal gymnastics. “But I know you don’t; I would definitely have remembered you.” Earl had no idea what the hell was going down here, but he was determined to ride this train all the way to the station, and felt like he was doing a pretty damned good job so far, even if all he really was doing was hanging on for dear life and waiting to see what would happen next.
She sipped her wine and Earl gulped his beer. “I’ve been looking all over for you,” she said, as if they were a couple, rather than total strangers, as if it was perfectly normal for a model-beautiful young woman to be sitting here in the Ridge Runner chatting up a loser like Earl Manning. He was acutely aware that every man in the place—every single one—was watching them like some practical joke was being played and they didn’t want to look away because they were afraid they might miss the punch line. For just a second Earl wondered if that might be the case.
“Is that right?” he finally ventured. “Well, now that you’ve found me, what are you going to do with me?”
“Everything.” She smiled suggestively, placing her hand lightly on his arm. Earl thought briefly he might lose it right then and there, and wouldn’t that be hilarious?
“Wh-whass your name?” he asked, his diction finally betrayed by the combination of nerves and drunkenness. He was a little surprised it had taken this long.
“Raven,” she said, acting as though she didn’t notice his little slip-up, although it had to have been obvious. The young woman finally dragged her gaze away from Earl’s face and glanced disinterestedly around the bar, only now seeming to realize that they weren’t alone. Earl thought it might be the strangest thing he had ever seen. Of course, this whole bizarre episode would probably qualify.
Raven leaned over, supporting herself by placing one delicate hand in Earl’s lap, instantly bringing him dangerously close to losing it again. She whispered into his ear, “What do you say we get out of here and get started? I don’t think I can wait much longer.” Her voice was soft and girlish and Earl would have sworn her breath shuddered a little with anticipation. Or maybe that was his.
“Okay,” he agreed, rising unsteadily to his feet and reaching into his pocket. He pulled out all of his money and tossed it onto the table, not counting it, not even looking at it. He didn’t care how much was there. If it was more than he owed for this night of drinking then that asshole Pellerin could treat himself to a nice, undeserved tip.
Raven looped her arm through his and began walking toward the front door, leading Earl through the crowd of disbelieving drinkers. Again they parted at her approach and again she seemed unaware. Earl took the opportunity to slip his left hand into the left rear pocket of her jeans. They were so tight he had to work to slide it in, but he figured it was well worth the effort.
The rickety wooden screen door slammed closed as they walked into the gravel parking lot, Raven moving confidently and Earl half-stumbling along behind, hand jammed into her back pocket, feeling like a guy who has just found out he won the lottery even though he didn’t buy a ticket. The buzz of excited conversation swelled behind them and then faded with the closing of the door.
The darkness became more pronounced as the pair moved away from the dirty lighting of the tavern. Bo Pellerin had once confided in Earl that he didn’t see the need for exterior lighting in the Ridge Runner’s lot—not many women came here and most of the ones who did, well, Bo seemed to feel were better-looking in the dark, anyway. Dudes could damn well find their own way to their vehicles. Plus, floodlights were too fucking expensive to maintain.
Most of the time Earl didn’t even notice the darkness as he made his way to his fifteen-year-old Ford pickup. Hell, by closing time he was almost always blind drunk anyway, so what difference would lights make? Tonight, though, maybe as a reaction to the strange turn of events, he felt a shiver of fear worm its way into his gut. Anything could be out here. Anything.
Raven tugged insistently on his arm and, seeming to sense his trepidation, whispered, “Please lover-boy, don’t make me wait. Stop teasing me!” And just like that, Earl Manning forgot all about the darkness and what it may or may not contain.
__________
Tomorrow will feature Chapter Two. REVENANT is a 75,000 word novel which works as Book Two in the Paskagankee series and also as a stand-alone supernatural suspense novel. It's priced at $3.99. Thanks for reading!
Chapter One:
1
Present day
Hank Williams—senior, not junior; the real Hank Williams—blasted through the ancient speakers of the Ridge Runner, warbling about love and loss and liquor, not necessarily in that order, his vocal stylings floating through the tavern like a little slice of down-home heaven. Earl Manning held down his usual stool and drained the last of a Budweiser, simultaneously signaling for another with his left hand as he slammed the empty mug down on the table with his right. The smoke of a dozen lit cigarettes hung thick and heavy in the unmoving stale air. Smoking in bars and restaurants was against the law in Maine, but nobody cared about such minor details inside the Ridge Runner.
Earl had lost track a couple of hours ago of how many beers he had drunk, not that it mattered. He would continue drinking until one of two things happened: He ran out of money or the bar closed. Right now the two outcomes were running neck and neck, although drinking through all his money seemed to be pulling ahead in a race that would likely come down to the wire.
Earl had been a regular at the Ridge Runner for so long no one dared consider sitting in his spot, even when he wasn’t there. Far end of the bar, wobbly two-person table kitty-corner across the room from the entrance. Close to the john, far enough from the door to be out of the firing line of the almost lethal gusts of frigid air that swept into the room any time a patron entered or exited from late October through late April, day or night. Winter was by far the longest of the four seasons in Paskagankee, Maine.
Bartender and longtime Ridge Runner owner Bo Pellerin slopped a fresh beer on the table as Billy Ray Cyrus—the real Cyrus, not wannabe rock-star daughter Miley—whined and complained about his achy-breaky heart, whatever the hell that meant. Earl Manning considered himself something of an expert in the field of achy-breaky hearts, as his last trip to the doctor, roughly three years ago, had resulted in a stern warning from the old quack to slow his drinking pace. Earl didn’t think that was what Billy Ray was talking about.
Actually, “Stop drinking entirely,” was what the quack doctor had said, “before all that alcohol kills you.” The guy spun some bullshit about mitral and tricuspid valve deficiencies and plaque buildup in the arteries—apparently Earl’s achy-breaky heart had less to do with love and loss than a weakening muscle critical to the body’s continued operation, at least if he believed the quack, which he didn’t—just before hitting him with almost a three hundred dollar charge. Earl had ignored the outrageous bill just as he had ignored the diagnosis, vowing at that time never to return to the fucking quack’s office.
That was three years ago, and look at him, still sitting at his table just beyond the far end of the bar, still drinking—more, if anything, not less—and still very much alive. Sure, he suffered from the shakes some mornings (most mornings if he was being honest with himself); and sure, there were those disconcerting moments when he had trouble catching his breath climbing a normal flight of stairs and was forced to stop and rest halfway, but that sure as hell wasn’t due to heart trouble. After all, Earl reasoned, he was only in his late twenties, and achy-breaky hearts were for geezers, Billy Ray Cyrus’s opinion on the matter notwithstanding.
The front entrance swung open and then slammed closed. Earl barely noticed. It was almost midnight and the Runner was hopping, so the damned door seemed to be on a swivel, anyway. Plus it was early summer, meaning the cold air that normally accompanied the arrival of a new patron had gone on vacation for a few months. It would be back soon enough, but for now, the only things that might have entered the bar were a new customer and a few mosquitoes, and Earl couldn’t care less about either one. As long as he could still get Bo’s attention when his thirst demanded another beer, he didn’t give a damn if Billy Ray Cyrus himself had just walked in.
His disinterest didn’t last long, though. He glanced up, bleary-eyed, and discovered it was a woman who had entered, a woman he did not recognize, and a beautiful one at that. Aside from Blanche Raskiewicz, who had been frequenting the Runner longer than Earl and whose skin was so weathered and dried out it looked like her face had been patched together out of strips of old leather, the “fairer sex” tended to stay away from the Ridge Runner. It was not an establishment that saw many female faces.
Especially female faces like this one.
The woman was young and beautiful. Long jet-black hair cascaded in waves halfway down her back, terminating in lazy ringlets a few inches north of her butt, which was accentuated in skin-tight faded jeans with no visible panty lines. Earl knew because it was the first thing he checked. His eyes might be red-rimmed from all the Budweiser and he might almost have reached the point where he would soon begin seeing double, but he was as much an expert in panty lines as he was in achy-breaky hearts, and he would have bet his miserable life this chick wasn’t wearing any.
The face framed by that black hair could fairly be described as angelic, with flawless copper skin, a delicate, slightly upturned nose and the most intense green eyes Earl had ever seen. Her mouth was a slash of vivid red as she pursed her lips in concentration, walking slowly through the crowd, clearly searching for someone specific. Ridge Runner patrons parted before the beautiful young woman like the Red Sea before Moses. She didn’t seem to notice. She was probably used to it.
She meandered through the bar and the raucous cacophony of drunken voices dimmed, eventually fading away entirely. Even the music seemed to have stopped for the time being. An occasional cough and the shuffling of boots on the dirty floor were the only sounds. Earl wondered who the lucky bastard was that she was looking for and, more importantly, why. He knew pretty much everyone in here, and all of these dumb fucks put together didn’t have the class this babe had in her little finger. That much was obvious.
Earl didn’t care how classy she was, though. He had a prime view of this chick’s pantiless ass and that was good enough for him. She had made a hard right turn after entering the bar and was moving steadily counterclockwise around the outside of the room, still searching, peering left and right as she walked. Soon she would pass directly in front of Earl’s mesmerized face and shortly after that would be right back at the front door where she started.
Obviously, the guy she was looking for wasn’t here, which was hard to believe. Earl figured if he was the lucky son of a bitch who had made plans to meet up with this hot piece of ass at the Ridge Runner, he would camp out a couple of days in advance, just to be sure he didn’t miss her. Although, in his case, that wouldn’t have meant doing much of anything different than usual. His waking hours more or less coincided with the Runner’s hours of operation, anyway.
The girl reached Earl’s rickety table and instead of continuing past as he assumed she would, she took a seat, easing onto the empty chair next to him and fixing him with a stare from those curiously green eyes. They were spellbinding, and it took a few seconds for Earl’s brain to process the fact that she had just spoken to him. “Uh . . . ‘scuse me?”
A knowing smile flitted across her face, as if she had this effect on men all the time. Probably she did. “I said hello,” she repeated. “How are you doing tonight?”
“Just great. Getting better all the time, in fact.” It finally occurred to a stunned Earl Manning that he was the one she had been searching out, as hard as that was to believe.
“Buy you a drink?” Earl asked, frantically attempting some basic math in his alcohol-addled brain. He wasn’t sure he had enough cash left to buy anything for this gorgeous specimen, but didn’t really care, either. If he couldn’t pay that asshole Bo Pellerin at closing time he would worry about it then.
“White wine would be lovely,” she said, still smiling, her eyes locked onto Earl’s. God, but they were captivating.
Earl signaled Bo and the bartender approached with a look of incredulous disbelief written all over his face. Earl figured the same look was probably on his own face. “White wine for my friend, please,” he said, wondering if anyone had ever ordered wine before inside the Ridge Runner.
For just a moment he thought Pellerin was going to make some sort of wise-ass remark. The bar’s owner didn’t, though. Instead he turned without a word and walked back behind the bar. Bo grabbed a dusty bottle Earl had never noticed before off one of the mirrored shelves and poured the contents into what Earl guessed was a wine glass. Who the hell knew? Hopefully the damned thing was at least clean, although the prospect seemed unlikely.
Bo placed the glass in front of the chick and walked away and Earl realized he had no idea what to say next. He wracked his slow-moving brain as panic threatened to overwhelm him. This was the most stunningly beautiful girl he had ever had a shot with. The only other one who even came close was that bitch Sharon Dupont, and that had been a long, long time ago, back when she was still a high school kid, years before she had kicked her drinking habit and become a cop, of all things.
His mind snapped back to the present, and to the awful knowledge that if he didn’t say something soon, preferably something suave or at the very least semi-coherent, this gorgeous babe was going to think he was mute and maybe mentally deficient, too. The only thing he could think of was, “Do you come here often?” which was pointless. For one thing he already knew the answer to that particular question, and for another he realized, even in his present state of drunkenness and rising panic, it was the most clichéd pickup line in the book.
She saved him.
“So, do you come here often?” she asked, and coming from her it sounded like the wittiest conversation-starter ever. Bo Pellerin dropped the wine bottle down on the bar with a thud and walked away, shaking his head as he went. The girl continued gazing at him, smiling softly, acting like he was Jake Freaking Gyllenhall or something, rather than what he was: a twenty-nine year old rail-thin raging alcoholic with bad skin and a balky heart sitting in a dive bar in the middle of God-forsaken nowhere, a rifle shot from the Canadian border.
“Yes, as a matter of fact, I do,” he answered, surprising himself by speaking clearly and not slurring his words. He wondered how long he could keep up that little bit of verbal gymnastics. “But I know you don’t; I would definitely have remembered you.” Earl had no idea what the hell was going down here, but he was determined to ride this train all the way to the station, and felt like he was doing a pretty damned good job so far, even if all he really was doing was hanging on for dear life and waiting to see what would happen next.
She sipped her wine and Earl gulped his beer. “I’ve been looking all over for you,” she said, as if they were a couple, rather than total strangers, as if it was perfectly normal for a model-beautiful young woman to be sitting here in the Ridge Runner chatting up a loser like Earl Manning. He was acutely aware that every man in the place—every single one—was watching them like some practical joke was being played and they didn’t want to look away because they were afraid they might miss the punch line. For just a second Earl wondered if that might be the case.
“Is that right?” he finally ventured. “Well, now that you’ve found me, what are you going to do with me?”
“Everything.” She smiled suggestively, placing her hand lightly on his arm. Earl thought briefly he might lose it right then and there, and wouldn’t that be hilarious?
“Wh-whass your name?” he asked, his diction finally betrayed by the combination of nerves and drunkenness. He was a little surprised it had taken this long.
“Raven,” she said, acting as though she didn’t notice his little slip-up, although it had to have been obvious. The young woman finally dragged her gaze away from Earl’s face and glanced disinterestedly around the bar, only now seeming to realize that they weren’t alone. Earl thought it might be the strangest thing he had ever seen. Of course, this whole bizarre episode would probably qualify.
Raven leaned over, supporting herself by placing one delicate hand in Earl’s lap, instantly bringing him dangerously close to losing it again. She whispered into his ear, “What do you say we get out of here and get started? I don’t think I can wait much longer.” Her voice was soft and girlish and Earl would have sworn her breath shuddered a little with anticipation. Or maybe that was his.
“Okay,” he agreed, rising unsteadily to his feet and reaching into his pocket. He pulled out all of his money and tossed it onto the table, not counting it, not even looking at it. He didn’t care how much was there. If it was more than he owed for this night of drinking then that asshole Pellerin could treat himself to a nice, undeserved tip.
Raven looped her arm through his and began walking toward the front door, leading Earl through the crowd of disbelieving drinkers. Again they parted at her approach and again she seemed unaware. Earl took the opportunity to slip his left hand into the left rear pocket of her jeans. They were so tight he had to work to slide it in, but he figured it was well worth the effort.
The rickety wooden screen door slammed closed as they walked into the gravel parking lot, Raven moving confidently and Earl half-stumbling along behind, hand jammed into her back pocket, feeling like a guy who has just found out he won the lottery even though he didn’t buy a ticket. The buzz of excited conversation swelled behind them and then faded with the closing of the door.
The darkness became more pronounced as the pair moved away from the dirty lighting of the tavern. Bo Pellerin had once confided in Earl that he didn’t see the need for exterior lighting in the Ridge Runner’s lot—not many women came here and most of the ones who did, well, Bo seemed to feel were better-looking in the dark, anyway. Dudes could damn well find their own way to their vehicles. Plus, floodlights were too fucking expensive to maintain.
Most of the time Earl didn’t even notice the darkness as he made his way to his fifteen-year-old Ford pickup. Hell, by closing time he was almost always blind drunk anyway, so what difference would lights make? Tonight, though, maybe as a reaction to the strange turn of events, he felt a shiver of fear worm its way into his gut. Anything could be out here. Anything.
Raven tugged insistently on his arm and, seeming to sense his trepidation, whispered, “Please lover-boy, don’t make me wait. Stop teasing me!” And just like that, Earl Manning forgot all about the darkness and what it may or may not contain.
The beautiful girl pulled him right past his truck, continuing on to a candy-apple red Porsche 911 parked at the outer edge of the lot next to the massive, looming northern Maine forest. She unlocked the passenger side door with a button on her key fob and dumped Earl into the leather bucket seat, then somehow managed to squeeze in too, falling into his lap and giving him a hard kiss, pressing her body into his.
Then she was up and gone, moving around the little car and sliding into the driver’s seat with the speed and grace of a feline. “Where are we going?” Earl asked, more out of a desire to make conversation than because he really gave a shit.
Raven smiled but didn’t immediately respond. She pressed a finger to his lips. “You’ll see soon enough, lover-boy. And I promise, this will be a night you will never forget.”
She turned the key and the engine started with a purr and the young woman gunned the Porsche out of the lot, spraying gravel, peppering the vehicles—mostly pickup trucks—clustered outside the bar. Earl Manning’s last thought before he fell asleep was that this whole bizarre episode was like some teenager’s wet dream.
Tomorrow will feature Chapter Two. REVENANT is a 75,000 word novel which works as Book Two in the Paskagankee series and also as a stand-alone supernatural suspense novel. It's priced at $3.99. Thanks for reading!
Sunday, July 1, 2012
REVENANT Excerpt: Prologue
Back in January, I released a novel about a three hundred year old Native American curse holding a tiny, isolated town in northern Maine hostage, called PASKAGANKEE. When I wrote the manuscript, I envisioned at least a three book series of supernatural occurrences afflicting the poor townspeople of Paskagankee, Maine.The second book in the series in now here. REVENANT is a 75,000 word novel which continues the story of beleaguered police chief Mike McMahon and beautiful young patrol officer Sharon Dupont. In this go-around, a murderous, power-hungry cult leader steals a sacred Navajo ceremonial stone possessing a frightening power. Throw in a Seattle software billionaire and a super-secret software program developed for the U.S. Department of Defense and the result is a terrifying ride through your worst nightmare.
Revenant works both as Book Two in the PASKAGANKEE series, but also as a stand-alone supernatural suspense novel. It is not necessary to read PASKAGANKEE to enjoy REVENANT.
Over the next week I will be spotlighting a chapter a day, so you can check the book out if you think it might be something you would enjoy.
Without further ado, here is the prologue to REVENANT:
PROLOGUE
Three months ago
Don Running Bear’s brakes screeched out a complaint as he pulled to a stop at the end of his dusty driveway. He shut down the engine and his ancient Chevy pickup kicked and bucked like a temperamental stallion, eventually giving up the ghost and wheezing into silence.
He sat in the cab and mopped his face with a well-worn handkerchief. Faded renderings of sacred Navajo animals covered the light cotton, dulled by the passage of time from white to a sickly greyish-brown. The hankie had been a gift from his grandfather and was now threadbare and clearly past the end of its useful life. Don knew he should take some action to preserve it, maybe store it between the pages of a book or something, but he had used the damn thing for as long as he could remember and could not imagine going through even a single day without being able to touch the only remaining link to the man he so admired.
The temperature outside the pickup had soared to well over one hundred degrees, which meant inside the truck it was probably close to one-forty, but Don was in no hurry to get into his house, despite the fact the air conditioning would provide a welcome respite from this blast-furnace heat. Don needed to think, and to do that he had to be alone. So he sat in his truck, barely noticing the sweat running down his weathered copper face.
Don Running Bear was worried. He hadn’t been sleeping well, being assaulted nightly by dreams filled with violence and bloodshed, nightmares which were clearly meant as a sign. And worse, the problem was not that he didn’t understand the significance of his terrible dreams, but rather that he feared he did. In these visions, all of them disturbingly similar, a beautiful young Navajo girl wrought death and destruction, murdering strangers and cracking open their cold corpses, plunging her tiny hand inside their chests, ripping out the hearts of her victims, then turning to dust and disappearing.
In these horrifying dreams, the identity of the young girl refused to reveal itself to Don, although she seemed strangely familiar and he knew he should recognize her. Each morning he awoke trembling, drenched in sweat, certain that with just a little extra effort he might be able to identify the girl, and maybe then begin to decipher the meaning of the nightmares. But so far, her face had remained elusive.
Don wished he could turn back time and salvage a few hours with his grandfather. Niyol Running Bear had died more than a decade ago, and with his passing, so too had many of the mystical secrets of the tribal medicine man been lost. Niyol had adamantly refused to share his wisdom and knowledge with his son, Nastas—Don’s father—saying only that the knowledge was explosive and dangerous and he would not involve his family in any more of it than necessary.
Nastas had died young, killed in a horrific car crash driving drunk at a high rate of speed on the reservation, leaving only Don and his grandfather, and when Niyol had become seriously ill, he had reluctantly entrusted a very valuable relic—a stone—to Don, telling him only that it was to be hidden and protected at all costs, that it was sacred, imbued with ungodly power, magical and fearsome and terrible.
Don had been thinking a lot recently of both his grandfather and the stone. He wondered if the nightmares he had begun experiencing were somehow related to one or both of them. He suspected they were, but since his grandfather had never gone into specifics regarding the danger the stone represented or its awesome power, Don could do no more than guess. But the very fact he associated his dreams with the stone after Niyol had been gone a decade illustrated the impression the old man had made.
Don Running Bear sighed and stepped out of his truck. Dwelling on the dreams and their possible relation to the sacred stone, long tucked securely away, was pointless without further information, and he had no way of acquiring that information. He vowed to let it go, to forget about the damned stone, but he had made that vow hundreds of times, probably thousands, and knew he would never be able to follow through on it. The hot, dry wind which seemed to blow endlessly across the plains raised little eddies of dust around his shoes as he trudged across the front yard.
He stepped through the front door into the cool stillness of his small home, distracted and upset. He made it two full steps inside the house and then froze in confusion and fear. Seated directly across the room, facing the door so there was no way Don could miss the sight of them, were his wife and teenage daughter. They had been fastened to matching kitchen chairs placed side by side, immobilized by thick strips of shiny silver duct tape wound around their wrists and ankles. Don regarded his family in surprise and they stared back in terror, eyes bulging, utterly silent despite the fact they had not been gagged.
Behind the two women, looming over them in a stool taken from the breakfast bar in the kitchen, was a middle-aged man Don had never seen before. The silver haired intruder displayed a long, curved knife, holding it above Eagle Wing’s and Kai’s heads, turning it slowly in the air so that the sunlight pouring through the window winked and glittered off the polished blade’s surface. If the man was trying to get Don’s attention, his efforts had been terrifyingly successful.
For a long moment no one moved. Time seemed to stretch into infinity. The stranger lowered the knife blade so that its razor-sharp point pressed against the soft skin of his younger captive’s throat.
Eagle Wing gasped softly and Don finally spoke. “What’s going on here?” He worked hard to keep his voice strong and calm, fearing he knew the answer to the question but asking it anyway. Sometimes life’s little dramas must play out according to a script written by fate. He forced himself to direct his full attention at the man, not because he wanted to, but because he suspected that to do otherwise would be consigning his family to death.
“It’s very simple,” the stranger said, maintaining a steady pressure with the knife-blade at Eagle Wing’s throat. “An item of great value was entrusted to your care many years ago. You’re going to give it to me.”
Don had an instant to decide how to respond. What were the odds the man with the knife was talking about anything other than the sacred Navajo stone? Essentially nil. But for the heavy weight of responsibility his grandfather had laid on his shoulders, Don Running Bear was an ordinary Native American man living an ordinary life. He was the proprietor of the reservation’s General Store, a nearly invisible forty year old man who owned nothing of monetary value, certainly nothing worth breaking into his home and threatening murder to get.
Nothing except the stone.
And it was imperative the stone never see the light of day.
“I don’t know what you’re talking about,” he said evenly, and as he did, the man’s lips hardened into a thin bloodless line and he flicked his right wrist, drawing the tip of the knife-blade half an inch across Eagle Wing’s throat. Blood welled sluggishly out of a tiny gash. Eagle Wing drew in a breath, a short, panicked gasp, but seemed to realize instinctively that to scream, or even to move, would be to risk suffering much greater damage, perhaps even death.
Kai Running Bear knew no such thing. Don’s wife let loose a roar of rage and fear, thrashing helplessly in her chair in a desperate attempt to launch herself at the silver-haired man harming her child. The man rotated his left arm at the elbow, still holding the knife to Eagle Wing’s throat, and drove his fist into Kai’s face. The crack of her cheekbone shattering was followed by a dull thud as the chair and its suddenly unconscious occupant smashed backward onto the living room floor.
Don rushed forward instinctively, stopping only when the man with the knife leapt from the stool and screamed, “Come any closer and she dies!” and Don knew he meant what he said. The stranger’s eyes were black and determined and devoid of any shred of compassion or empathy. He might as well have been a Diamondback coiled under a rock in the desert, alert and lurking, prepared to strike.
For one second, then two, the men faced each other, locked in a silent standoff. Kai lay motionless on the floor, duct-taped to her toppled chair, her face already beginning to swell hideously. Eagle Wing panted, the point of the knife pressed into her throat, her body shaking as it reacted to the stress and the pain of the knife wound, as well as the sight of her unconscious and badly injured mother.
“Now,” the man said almost conversationally, “the next few seconds will determine the fate of your entire family. Do not make the mistake of assuming I won’t simply murder all three of you. I know that the object I seek is here somewhere; you would never risk storing it anywhere else. If necessary, I will kill you all and then conduct my own search at my leisure. So I ask one final time: Where is it?”
Don wondered what his grandfather would have done. The danger the stone represented was monumental; he could not allow it to fall into this man’s hands. But he would not allow his family to be butchered, either. In the end it was an easy decision; it was no decision at all.
Don held his hands in front of his face, palms out, willing the stranger to relax. He could see the knife blade bobbing in a steady rhythm against the soft skin of Eagle Wing’s throat, keeping time with her elevated pulse. “You win. I’ll do as you wish,” he said quietly. He began sliding sideways across the room, moving on the balls of his feet, hands still suspended in front of his face, never taking his eyes off the man with the knife.
At the far end of the room he stopped in front of a flat-screen television placed atop an imitation wood-grain TV table. The table supporting the television was mounted on casters and Don bent at the waist, wrapped his arms around the table, and rolled it heavily to the side. The intruder watched from behind Eagle Wing’s chair, his face expressionless, his reptilian eyes taking it all in. On the floor, Kai moaned and shuddered and then once again fell still.
Don knelt down on the spot formerly occupied by the TV table and hooked his fingers under what appeared at first glance to be a knot in the oak flooring. He lifted his hand and a hidden two-foot by two-foot hinged wooden square rose noiselessly, appearing as if out of nowhere. Bolted to the support beams beneath the floor with a pair of heavy iron bands was a personal safe, installed so that the safe’s door opened upward into the room upon removal of the trap door.
Don hesitated, still searching for a way out of this predicament that didn’t involve releasing the sacred stone to this stranger. He could think of only one. He glanced up at the man, sighed, and punched a series of numbers into a small alphanumeric keypad built into the safe’s door. Then he twisted a heavy handle and the lock gave way with an authoritative clunk that Don knew would be audible all the way across the room in the heavy silence.
He pulled open the door and reached inside. The safe’s contents were mostly obscured by shadows but it didn’t matter. The heavy steel box contained only two items and Don knew the positions of both in the darkness of the safe like he knew the back of his hand. He bent down, maneuvering his body so that its bulk formed a barrier between the stranger and the safe. At least he hoped it did, or else he was condemning his beloved daughter, his only child, to a sudden and painful death.
Don withdrew the two items simultaneously. One was a perfectly square wooden box, roughly ten inches by ten inches. It could have been a cigar box on steroids. Intricate Native American carvings of Southwestern animals decorated all sides of the box, similar in style and rendering to the ones adorning Don’s treasured bandanna. He lifted that item slowly and carefully with his left hand, while slipping the other item into the right front pocket of his cargo pants, praying the movement would go unnoticed. Then he stood and turned.
The man removed his knife from Eagle Wing’s throat for a moment and flicked his wrist, much as he had done moments ago when he nicked her, only this time he waved the knife in the air, indicating Don should bring him the box. He said nothing.
Don trudged across the room while the man returned the knife to its previous location, nestling it just under his daughter’s jawline. Don noted with relief that the cut the man had made was mostly for show; it had nearly stopped bleeding already. But there was little doubt he could end her life at any moment if he so desired.
Don stopped directly in front of Eagle Wing’s chair. Her eyes were closed and she was making an obvious effort to breathe normally. He was filled with pride for his sixteen year old child’s demonstration of composure and inner strength. He knew his grandfather would have been proud of her as well.
“Open it,” the man commanded.
Slowly, with extreme reluctance, as if by drawing the moment out he might somehow be able to prevent it from happening, Don lifted the hinged lid.
Inside the box was a stone, larger than a baseball but only slightly. The stone was perfectly round and smooth, as though it had been lovingly polished by its owner until it gleamed, although it had not been. He was aware of no more than a small portion of the stone’s history, but the knowledge he had was enough to give Don Running Bear a healthy respect for its fearsome power. He had opened the box only rarely, and never for more than a few minutes at a time, since Eagle Wing was a very young girl.
The man’s cold eyes flicked from the contents of the box to Don’s face and back again. “Is that it? It just looks like a rock.”
“You think I would keep an ordinary rock locked up in a hidden safe?”
The man gazed at Don, taking stock. Don stood impassively, the box held out in front of him, waiting. “You understand what will happen to your family if I am being misled.” It was not a question.
Don shook his head in frustration. “You’re not being misled, I told you that already.”
“Do you understand what will happen to your family if I am being misled?”
“Yes, yes, I understand! Please, if the stone is what you’re after, just take it and go, so I can tend to my wife and child. They need me.”
The stranger’s eyes bored into Don’s and for a long time neither man spoke. Nobody moved. Eagle Wing sat still under the knife blade, although her eyes were now open. They were trusting and guileless as she watched her father. Don loved those eyes. On the floor, Kai groaned and twitched, pulling against her bindings. She was still unconscious but would be coming around shortly and would need medical attention for the shattered bones in her face.
At last the man seemed satisfied. “Put the box over there,” he said, indicating a small butcher-block end table adorned with only a lamp. The table was located between the couch and the front door. Don eased the box’s lid closed, relieved not to have to look at its contents any longer, and turned his back, walking slowly toward the couch and placing the box next to the lamp as instructed.
“Now, go back to the safe. Close it and lock it and lower the trap door.” After Don had complied, the man said, “Roll the TV table back where it belongs,” and he did that, too.
“Now, stand in the corner.” Don moved to the point in the room opposite the front door. He hoped the stranger would not force him to turn around and face the wall. If he did, all would be lost. He arrived in the corner and stood facing the man, who said nothing about turning around.
The man withdrew the knife from Eagle Wing’s throat and Don breathed a sigh of relief. He had feared the intruder would try to kill them all before leaving with the box, but it seemed the man realized he would be in for the fight of his life if he murdered Don’s daughter in front of his eyes, and it appeared he wanted simply to take the box and make his escape.
The stranger slid off the stool, knife held chest-level between his body and Eagle Wing’s. He sidled around her chair and then began backing toward the door, never taking his eyes off Don Running Bear.
Don waited, not moving, forcing himself to maintain his impassive appearance, wondering how the hell he was managing to do it when his heart was hammering in his chest like a freight train pounding across the desert floor. At some point, the man with the knife was going to have to turn slightly to open the door, and Don had decided that was when he would make his move.
The stranger arrived at the end table, moving slowly and cautiously. He bent and hefted the wooden box containing the mystical stone. “It’s lighter than I would have expected,” he announced to Don, who said nothing in return. Then the man swiveled his head to the right, reaching for the knob to open the front door.
The moment the man turned his head, Don snaked his right hand into his pocket and grasped the Colt .38 revolver he had removed from the safe. His plan, if you could call it that, was to rip his grandfather’s gun out of his pocket and fire in one smooth motion, hopefully putting the man down. Even if he missed with the first shot, Don reasoned, the suddenness of the attack should catch the man by surprise, giving him the opportunity to fire again before the man could move in and either gut him with the knife or slice Eagle Wing’s throat open. Not a perfect plan, not by a long shot, but it was the best he could come up with.
And it might even have worked.
Except the gun’s hammer snagged on the metal ring holding the General Store’s keys. The ring hung from his belt loop and as Don pulled the big pistol out of his pocket, the hammer caught on it for an instant, not a long time at all, maybe half a second, but it was enough to twist the barrel toward the floor where Kai lay taped to her chair.
Don cursed, yanking the gun up toward its target and squeezing the trigger. Against all odds, he hit the exact spot he was aiming for, too, but the man with the knife was no longer there. He had dived toward the floor and into the middle of the room the moment he saw the Colt appear. His reflexes were razor-sharp. The wooden box fell off the table and the stone rolled out of it, spinning on the floor like a top.
A loud Boom! shook the tiny house on its foundation and the acrid smell of smoke filled the air. A ragged, splintered hole appeared in the front door where until a split second ago the man had been standing. Don cursed again without realizing he was doing it and adjusted his aim, preparing to fire a second shot, knowing everything was going to hell, knowing he was already too late.
The man rolled onto his back, less than a foot behind the injured Kai Running Bear. He flipped the knife in his hand, grabbing it by the blade without even looking at it, and with one smooth, easy motion, fired it at Don, who tried to flinch out of the way but didn’t stand a chance. The knife rocketed through the air with stunning speed, striking Don in the middle of the chest.
Pain blasted through his rib cage and he felt his arm go numb as he toppled to the floor. He heard the big Colt clatter to the floor as well, sliding across the polished oak and coming to rest in the corner.
The stranger rose and stepped calmly over Kai, whose eyelids were fluttering and who appeared to be on the verge of regaining consciousness just as her husband lost it. Don watched helplessly as the man stopped above him. The stranger stared for a moment, a contemptuous sneer on his hard face, then reached down and pulled the knife out of Don’s chest, twisting it viciously as he did so. Don screamed in pain and saw blood spurt frighteningly from the wound. Somewhere in the background he could hear Eagle Wing screaming as well, like they were performing some crazy duet from hell.
The man wiped the knife blade on Don’s shirt, which was already becoming soaked with his own blood. He retraced his path, stepping over Kai again, and picked up the stone. He replaced it in the ornate wooden box and secured the lid. Then he calmly looked the room over one more time and stepped through the front door.
The last thing Don Running Bear heard before losing consciousness was the rumble of an engine starting up and a car driving slowly away.
----------
Tomorrow will feature Chapter One. REVENANT is a 75,000 word novel which works as Book Two in the Paskagankee series and also as a stand-alone supernatural suspense novel. It's priced at $3.99. Thanks for reading!
Friday, June 15, 2012
In a perfect world: a manifesto for writers and readers
In a perfect world,
- Authors and publishers would rewrite, edit and proofread their work a lot.
As many times as it takes to produce clean, sharp prose with as few typos, formatting errors, and printing mistakes as possible. You owe that to people spending their hard-earned money on your product.
- Readers would understand mistakes happen.
We're all human, errors are unavoidable, at least until the machines become self-aware and take over the writing and publishing of all books for us. Then everything will be perfect, right? Boring as hell, but perfect.
- Authors wouldn't be so damned whiny and protective of their work.
You got a one-star review, suck it up and live with it instead of complaining to anyone who'll listen on Facebook and Twitter about the unfairness of it all. Not everyone's going to dig what you wrote; that's been the case with the most highly-regarded authors ever, it's certainly going to be the case with me and you.
- Readers wouldn't be so quick to blister authors with their keyboards simply because they can.
Authors live and die by reviews, sales - and reputations - are to no small degree based on them, and to attack an author in a hurtful way simply because you disagree with his politics or the way she markets and promotes her work is just wrong.
- Traditionally published authors would stop treating Indies like gum stuck to the bottom of their shoes.
The world of publishing remained unchanged for five centuries. Now, in the space of half a decade, all that is history, and whether you like it or not, things are never going back to the way they used to be. Sneering at Indie work doesn't make you look superior, it only makes you look petty and vindictive, not to mention out of touch.
- Indie authors would stop thumping their chests and jumping up and down about how wonderful their method is compared to traditional publishing.
Most of the authors published traditionally worked damned hard to get where they are, just like you did. In many cases they endured years, sometimes decades, of rejection before signing that trad contract. Can you blame them for being a little resentful of you, especially if you brag about rushing a book to market in three weeks or something equally ridiculous? Try to act like a professional, for crying out loud.
- All authors would take a moment to appreciate how lucky we are.
Whether you've written a NY Times bestseller or you're having trouble convincing anyone besides Mom to read your book - or, like most of us, you're somewhere in-between - take a second to smell the coffee, baby. You're doing what you love, and how many people can say that? How many people have the opportunity to touch potentially thousands of other people with their words, to make them laugh or cry or get angry, to focus their attention on an issue or a problem, to entertain them?
Not very freaking many. You're a writer, man, enjoy it. Okay, that's enough enjoying it. Now get back to work.
- Authors and publishers would rewrite, edit and proofread their work a lot.
As many times as it takes to produce clean, sharp prose with as few typos, formatting errors, and printing mistakes as possible. You owe that to people spending their hard-earned money on your product.
- Readers would understand mistakes happen.
We're all human, errors are unavoidable, at least until the machines become self-aware and take over the writing and publishing of all books for us. Then everything will be perfect, right? Boring as hell, but perfect.
- Authors wouldn't be so damned whiny and protective of their work.
You got a one-star review, suck it up and live with it instead of complaining to anyone who'll listen on Facebook and Twitter about the unfairness of it all. Not everyone's going to dig what you wrote; that's been the case with the most highly-regarded authors ever, it's certainly going to be the case with me and you.
- Readers wouldn't be so quick to blister authors with their keyboards simply because they can.
Authors live and die by reviews, sales - and reputations - are to no small degree based on them, and to attack an author in a hurtful way simply because you disagree with his politics or the way she markets and promotes her work is just wrong.
- Traditionally published authors would stop treating Indies like gum stuck to the bottom of their shoes.
The world of publishing remained unchanged for five centuries. Now, in the space of half a decade, all that is history, and whether you like it or not, things are never going back to the way they used to be. Sneering at Indie work doesn't make you look superior, it only makes you look petty and vindictive, not to mention out of touch.
- Indie authors would stop thumping their chests and jumping up and down about how wonderful their method is compared to traditional publishing.
Most of the authors published traditionally worked damned hard to get where they are, just like you did. In many cases they endured years, sometimes decades, of rejection before signing that trad contract. Can you blame them for being a little resentful of you, especially if you brag about rushing a book to market in three weeks or something equally ridiculous? Try to act like a professional, for crying out loud.
- All authors would take a moment to appreciate how lucky we are.
Whether you've written a NY Times bestseller or you're having trouble convincing anyone besides Mom to read your book - or, like most of us, you're somewhere in-between - take a second to smell the coffee, baby. You're doing what you love, and how many people can say that? How many people have the opportunity to touch potentially thousands of other people with their words, to make them laugh or cry or get angry, to focus their attention on an issue or a problem, to entertain them?
Not very freaking many. You're a writer, man, enjoy it. Okay, that's enough enjoying it. Now get back to work.
Friday, May 25, 2012
Caught in the middle: Amazon vs. IPG, Part II
Three months ago, I wrote a blog post detailing the contract battle between Amazon and IPG, book distributor for Medallion Press, publisher of my thriller, FINAL VECTOR. In that post I detailed the reasons why I found Medallion's support of IPG unacceptable. You can read the entire post here, if you're interested.
In the intervening three months, I asked for and received a reversion of rights letter from Medallion for FINAL VECTOR, leaving me free to pursue another publisher for the book or even, as was my intention, to publish the book myself.
I was just about at the point where I was ready to re-release FINAL VECTOR - I mean, literally, a week or so away - when I discovered IPG and Amazon have reached agreement on a new contract. This means Medallion's electronic titles (of which FINAL VECTOR was one) will once again be available for purchase at Amazon.
As I stated in my post back in February, the inability for readers to purchase my book at the world's largest ebook retailer was the reason why I wanted my rights to FINAL VECTOR back. Now that it will once again be available in that venue, I have withdrawn my request for a reversion of rights and plan to leave the book with Medallion Press.
Why would I do that? Why voluntarily stay with a publisher when I could release the book on my own and get a bigger cut of the royalties?
Here's why: Medallion Press showed faith in one of my novels when, to that point, no one else had. They believed in an unknown writer enough to offer me an advance and a path to publication at a time when self-publishing was still considered basically career suicide for a novelist.
I wanted all along to justify the faith they showed in me by earning out that advance through sales and then by making both of us - gasp! - money. I was well on my way to doing so when the rug was pulled out from under both myself and Medallion Press thanks to a contract dispute they had nothing to do with.
Am I crazy? Maybe. I have in my possession a letter enabling me to make more money from, and have more control over, a book that I wrote, and I am going to completely disregard that letter. If that makes me crazy, then so be it.
But some things are more valuable than the almighty dollar. Not many, I freely admit, but there are some. One of those is integrity. I like to think I have some. And I want to show Helen Rosburg and everyone at Medallion Press that they knew what they were doing when they signed me.
This is not to say I won't ever request my rights to FINAL VECTOR back from Medallion, but if I did it before earning out that advance I would always feel like I had walked away from a job before it was finished. My folks raised me better than that.
P.S. - Now that the book is available again, it is priced exactly where I was planning on pricing it - a very reasonable $3.99. If you've read and enjoyed my Amazon bestseller THE LONELY MILE, I think you might like to give this one a try as well...
In the intervening three months, I asked for and received a reversion of rights letter from Medallion for FINAL VECTOR, leaving me free to pursue another publisher for the book or even, as was my intention, to publish the book myself.
I was just about at the point where I was ready to re-release FINAL VECTOR - I mean, literally, a week or so away - when I discovered IPG and Amazon have reached agreement on a new contract. This means Medallion's electronic titles (of which FINAL VECTOR was one) will once again be available for purchase at Amazon.
As I stated in my post back in February, the inability for readers to purchase my book at the world's largest ebook retailer was the reason why I wanted my rights to FINAL VECTOR back. Now that it will once again be available in that venue, I have withdrawn my request for a reversion of rights and plan to leave the book with Medallion Press.
Why would I do that? Why voluntarily stay with a publisher when I could release the book on my own and get a bigger cut of the royalties?
Here's why: Medallion Press showed faith in one of my novels when, to that point, no one else had. They believed in an unknown writer enough to offer me an advance and a path to publication at a time when self-publishing was still considered basically career suicide for a novelist.
I wanted all along to justify the faith they showed in me by earning out that advance through sales and then by making both of us - gasp! - money. I was well on my way to doing so when the rug was pulled out from under both myself and Medallion Press thanks to a contract dispute they had nothing to do with.
Am I crazy? Maybe. I have in my possession a letter enabling me to make more money from, and have more control over, a book that I wrote, and I am going to completely disregard that letter. If that makes me crazy, then so be it.
But some things are more valuable than the almighty dollar. Not many, I freely admit, but there are some. One of those is integrity. I like to think I have some. And I want to show Helen Rosburg and everyone at Medallion Press that they knew what they were doing when they signed me.
This is not to say I won't ever request my rights to FINAL VECTOR back from Medallion, but if I did it before earning out that advance I would always feel like I had walked away from a job before it was finished. My folks raised me better than that.
P.S. - Now that the book is available again, it is priced exactly where I was planning on pricing it - a very reasonable $3.99. If you've read and enjoyed my Amazon bestseller THE LONELY MILE, I think you might like to give this one a try as well...
Thursday, May 24, 2012
Interview with bestselling author Lawrence Block
In February 2011, Medallion Press had just released my debut novel, a thriller titled FINAL VECTOR, and in an interview I was doing to promote the book I was asked to name the five authors, living or dead, I would invite to dinner if I could. One of the folks I named in my answer was legendary crime-fiction author Lawrence Block.
A few days later Mr. Block searched me out on Facebook, leaving a very gracious message thanking me for the mention. I was stunned. I discovered it really was possible to be, literally, slack-jawed with amazement.
Lawrence Block thanking me? That's a little like Michelangelo walking across Rome to thank the guy spraypainting graffiti on a sidewalk because the guy happened to mention how great he thought that Sistine Chapel job turned out.
But that's Lawrence Block. He's written more books than many people will read in a lifetime, created memorable characters (including my favorite, the stamp-collecting assassin, Keller), won a dozen Shamus Awards, nine Edgar Awards (not including the Mystery Writers of America Grand Master status he achieved in 1994), four Anthony Awards, millions of loyal readers and thousands of glowing reviews.
But more than that, he's genuine and real. He's also busy as hell, but agreed to take a few minutes to e-chat with me. Here's the result:
A few days later Mr. Block searched me out on Facebook, leaving a very gracious message thanking me for the mention. I was stunned. I discovered it really was possible to be, literally, slack-jawed with amazement.
Lawrence Block thanking me? That's a little like Michelangelo walking across Rome to thank the guy spraypainting graffiti on a sidewalk because the guy happened to mention how great he thought that Sistine Chapel job turned out.
But that's Lawrence Block. He's written more books than many people will read in a lifetime, created memorable characters (including my favorite, the stamp-collecting assassin, Keller), won a dozen Shamus Awards, nine Edgar Awards (not including the Mystery Writers of America Grand Master status he achieved in 1994), four Anthony Awards, millions of loyal readers and thousands of glowing reviews.
But more than that, he's genuine and real. He's also busy as hell, but agreed to take a few minutes to e-chat with me. Here's the result:
I would be crazy not to start off with a question about the recent announcement that Liam Neeson has signed on to play Matthew Scudder in the film adaptation of your novel, A WALK AMONG THE TOMBSTONES. Any thoughts on the casting? As Scudder’s creator, how do you feel Liam Neeson compares to Jeff Bridges, who also played Scudder in a previous movie version of a different novel?
I think Liam Neeson’s perfect for the role. He’s been on my list since his magnificent portrayal of Michael Collins—a favorite historical personage of mine, as it happens. This said, I should stress that Jeff Bridges did a wonderful job with what he was handed. The script was lousy and unfinished, and the studio took the cut away from Hal Ashby, a director whose greatest strength was in the cutting room. I’ve met Jeff a few times since, and he’s said how much he regrets the way the film came out.
Will you be given the opportunity to provide any input into the scripting of the film, or is that completely out of your hands?
I may have some sort of role, but I’m not uncomfortable leaving it in Scott Frank’s very capable hands. He’s been trying to make this film happen for a very long time now.
When your first Scudder book was published back in 1976 did you have any inkling he would still be struggling through life nearly forty years later? Was he created with an eye toward making him a continuing character or did it just somehow work out that way?
Crikey, I didn’t know I’d still be struggling through life my own self. I did know Scudder would be a series character, and the first three books were written under contract before the first was published. What I never expected, though, was that he would age or that his life would change. That was not often the case with fictional detectives.
Matthew Scudder isn’t the only memorable character you’ve created over the years. Is there one who stands out as your favorite? One character or book you would change if you could go back in time?
I’m embarrassingly fond of my own work, so they’re all my favorites. And no, I wouldn’t change any of them. There are some awful lines here and there, and I certainly would hope I’ve learned a bit about narrative and dialogue over the decades, but show me a writer who revises his early work and I’ll show you a person with too much time on his hands. It’s written, it’s published, leave it the hell alone.
As someone who has spent nearly six decades writing fiction professionally, there might be no one working right now more qualified to answer this question: how have you seen the business change? Is it better or worse for writers today than when you started back in the 1950’s?
Well, I wrote a blog post about that, and it’s gone bacterial, if not positively viral. Seems to have struck a chord with a good number of people. Best thing is probably just to give you a link: http://lawrenceblock.wordpress.com/2012/04/22/all-changed-changed-utterly/
I’d say the business has changed more in the last two years than in the twenty before them. But is it better or worse for writers? Better for some, worse for others, I suppose.
After collaborating early in your career with the great Donald Westlake on a couple of titles, you did so again in the early 1990’s—along with Tony Hillerman, among others—on the novel, THE PERFECT MURDER. Those are some editing sessions I wish I could have sat in on. What was the collaboration like? Do you wish you had worked together on other projects?
The Perfect Murder was easy; Jack Hitt quarterbacked the project, and we more or less winged it. I had no contact during the writing of it with Peter Lovesey, Tony Hillerman, or Sarah Caudwell—I’m not absolutely certain I ever met Sarah, though I may have done. So there was really nothing to sit in on. The three erotic novels Don and I did in tandem were enormous fun, as we didn’t consult with each other at all, but just tossed chapters back and forth. I talk at length about the process in the afterword of HELLCATS & HONEYGIRLS; the book’s hard to come by, but the three individual novels (A Girl Called Honey, So Willing, and Sin Hellcat) are eVailable, as is my book Afterthoughts, which tells all about the process.
And one regret I’ve had is that Don and I never did a Dortmunder/Rhodenbarr novel. A fan suggested it to me at a signing, and I fucking hate ideas like that, which so many fans think are just brilliant. But I liked this one, really thought it would work and would be fun to do. I could never get Don past the fact that the Dortmunders were third person and the Rhodenbarrs first. Then at one point I realized I could write about Bernie in the third person, and Don said if he ever got clear of what he was working on, maybe he’d be up for it. I don’t know how genuinely receptive he was even then. But then he was dead, and that was the end of that. Among other things.
Was there ever a time in your career you were tempted to chuck it all and go paint houses for a living?
I was lucky, I never had anything to fall back on.
If you look back over your career, is there one book you’re most proud of? One book you feel best exemplifies you as an author?
Hypothetical situation: You are marooned on a desert island, but just before your ship sinks, you can grab any one book of your choosing. What book do you choose, and why?
In Search of Lost Time, by Marcel Proust. Because there’s no other way I’ll ever read the fucking thing.
What are you reading right now? What’s next on your “To Be Read” list?
I’ve been reading and enjoying The Sweetness at the Bottom of the Pie by Alan Bradley. And I’m looking forward to Mission to Paris, coming next month from Alan Furst. Hmmm, I seem to be on an Alan binge, don’t I?
Thanks very much for taking the time to visit A Thrill a Minute. Any last words of wisdom you’d like to share with my thousands hundreds dozens handful of readers?
Nah, scroom.
Friday, May 11, 2012
Winning free stuff has never been easier
I've had a number of folks tell me I need to establish an author page on Facebook. I'm not exactly sure why I need one, but all the cool kids are doing it. Now, I've had a personal Facebook page for years, and having an author page too always seemed to be not only a duplication of efforts, but kind of self-indulgent, too.
Well I've finally knuckled under. The Allan Leverone author page is live, and now that I have it, I'm looking for readers and interested Facebookers to populate it.
So, to that end, I'm running a little promo. To qualify, all you need to do is "Like" my Facebook author page by 9:00 a.m. Friday, May 25. That's it. Just click "Like" on my author page. Do that, and you will be in the running to win one of the following:
- A signed trade paperback copy of my Amazon bestselling thriller, THE LONELY MILE. This book's sales exploded in February, reaching #21 overall at Amazon, #16 in all fiction titles, and #2 in Suspense Thrillers, behind only Lisa Gardner's CATCH ME. Scott Nicholson calls THE LONELY MILE "a taut crime drama," and it has earned a 4.2-star rating on seventy Amazon reviews.
- A signed, limited-edition mini-hardcover copy of my Delirium Books novella, HEARTLESS. This is an author promotional copy of the 19,000-word novella, of which only 150 retail-sales copies were printed, and sells for $30.00. The striking cover art was created by the amazing Daniele Serra.
- A signed, hardcover copy of NORTHERN HAUNTS. This 2009 anthology from Shroud Publishing sells at Amazon for $26.59 and includes 100 terrifying New England tales from a diverse collection of authors, including Nate Kenyon, Steve Vernon, Stephen Mark Rainey and many others. My story, "Heart and Sole," is included.
- A signed, trade paperback copy of Northern Haunts. This is the exact same book as above, except in paperback rather than hardcover. The paperback edition sells at Amazon for $18.99.
- A signed copy of the Summer 2010 issue of Needle: A Magazine of Noir. This is Issue #2 of the magazine that has quickly become a noir legend and features stories from Ray Banks, Chris F. Holm, Nigel Bird, Frank Bill and others. My story, "The Waiting," is included.
- A signed copy of the Fall 2011 issue of Needle: A Magazine of Noir. This is Issue #11 and includes stories from Keith Rawson, Stephen D. Rogers, a brand-new, previously unpublished story from the late Gil Brewer and others. My story, "The Ticket," is included.
Here's how this will work. Friday, May 25, I will draw the first winner and contact that person via Facebook message. That person will get the choice of any of the above six prizes.
Once the first winner has selected a prize, I will draw the second winner, who will get the choice out of the remaining five prizes.
We'll continue until all the prizes are given away. I'll post the selections of the winners on my author page as they are picked, and depending on how long it takes for people to pick, may take a couple of days to complete.
There you go...good luck!
Well I've finally knuckled under. The Allan Leverone author page is live, and now that I have it, I'm looking for readers and interested Facebookers to populate it.
So, to that end, I'm running a little promo. To qualify, all you need to do is "Like" my Facebook author page by 9:00 a.m. Friday, May 25. That's it. Just click "Like" on my author page. Do that, and you will be in the running to win one of the following:
- A signed trade paperback copy of my Amazon bestselling thriller, THE LONELY MILE. This book's sales exploded in February, reaching #21 overall at Amazon, #16 in all fiction titles, and #2 in Suspense Thrillers, behind only Lisa Gardner's CATCH ME. Scott Nicholson calls THE LONELY MILE "a taut crime drama," and it has earned a 4.2-star rating on seventy Amazon reviews.
- A signed, limited-edition mini-hardcover copy of my Delirium Books novella, HEARTLESS. This is an author promotional copy of the 19,000-word novella, of which only 150 retail-sales copies were printed, and sells for $30.00. The striking cover art was created by the amazing Daniele Serra.
- A signed, hardcover copy of NORTHERN HAUNTS. This 2009 anthology from Shroud Publishing sells at Amazon for $26.59 and includes 100 terrifying New England tales from a diverse collection of authors, including Nate Kenyon, Steve Vernon, Stephen Mark Rainey and many others. My story, "Heart and Sole," is included.
- A signed, trade paperback copy of Northern Haunts. This is the exact same book as above, except in paperback rather than hardcover. The paperback edition sells at Amazon for $18.99.
- A signed copy of the Summer 2010 issue of Needle: A Magazine of Noir. This is Issue #2 of the magazine that has quickly become a noir legend and features stories from Ray Banks, Chris F. Holm, Nigel Bird, Frank Bill and others. My story, "The Waiting," is included.
- A signed copy of the Fall 2011 issue of Needle: A Magazine of Noir. This is Issue #11 and includes stories from Keith Rawson, Stephen D. Rogers, a brand-new, previously unpublished story from the late Gil Brewer and others. My story, "The Ticket," is included.
Here's how this will work. Friday, May 25, I will draw the first winner and contact that person via Facebook message. That person will get the choice of any of the above six prizes.
Once the first winner has selected a prize, I will draw the second winner, who will get the choice out of the remaining five prizes.
We'll continue until all the prizes are given away. I'll post the selections of the winners on my author page as they are picked, and depending on how long it takes for people to pick, may take a couple of days to complete.
There you go...good luck!
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