Imagine, for just a moment, that you are the father of a young family. The oldest child in your family is a girl who, by the time she reaches her teen years, has begun growing into a smart, pretty, outgoing young woman. Like young women everywhere, your oldest child eventually falls in love, and like fathers everywhere, you don't particularly approve of your young daughter's choice.
Imagine that from the earliest days of the relationship, you see a disturbing trend developing. Your young daughter's boyfriend tries again and again to separate her from her family; to isolate her, while at the same time treating her poorly, cheating on her with other girls, playing the sorts of games boys play in high school every day.
Still your daughter stays with this boy. She has known nothing but love and encouragement from her family; it never occurs to her he might be different.
After a couple of years, imagine that you discover your smart, pretty, outgoing daughter is pregnant. She is a junior in high school by now. When this young "man" finds out the news, he dumps her like the proverbial hot potato, only to take her back later, unfortunately for her.
Imagine that nine months later your granddaughter is born. By now your daughter and the young "man" are seniors in high school. During the delivery, the "father" continues his controlling behavior, refusing to allow anyone else in the delivery room, including the young woman's mother.
A few months later, imagine that your daughter and this young "man" graduate high school. Your daughter has had a child during her senior year but has missed just two weeks of school, earning honor roll grades and admission to an outstanding college. She will have to live at home but she has a future. On graduation night, the "father" of your daughter's child cheats on her. Twice. With two separate young women.
Imagine that this is the last straw. Finally your daughter sees the light. She sends the young "man" packing, relationship-wise, while still allowing him to see his child. You allow this young "man" into your house almost daily, even though he no longer is in a relationship with your daughter, because you want your grandchild to know her father, regardless of your feelings for him.
Now imagine that you discover this young "man," who has been in and out of trouble with the law, is being charged with a felony sex crime. On a thirteen year old girl.
The case is not as open-and-shut as it may appear to most people. This girl, who clearly has serious problems, has been obsessed with this young "man" for years, but in New Hampshire the law is clear: This thirteen year old girl could sprint naked across her yard and throw herself at this young "man," who is now twenty years old, and it is up to him, as a supposed adult, to stop the girl.
Unfair? Sure. Still, it's the law, and it makes sense. A thirteen year old girl, by virtue of her age and immaturity, is unable to give consent for sex. Period.
Imagine that this young "man" will face a criminal trial in the near future and if he is convicted, will face jail time, meaning of course that he will lose his job, making him incapable of paying for the child care that your wife provides daily. Without this money, your wife will be forced to go back to work - you have two children in college and tuition bills mounting.
But if your wife returns to the workforce, there will be no one to care for your granddaughter, meaning your smart, pretty, outgoing daughter may be forced to drop out of college to care for her child. Imagine that the only positive contribution this young "man" has made to his now two-and-a-half year old child's welfare will disappear.
Imagine that this young "man's" supporters - Incredibly, he does have some! - have blamed your child for his woes. If she had only stayed with him he wouldn't be in this trouble, the argument seems to go. I know, there's not a lot of logic going on there.
Imagine that your innocent little grandchild caught a glimpse of this young "man's" mug shot in the newspaper. "Daddy looks mad," she says, when she sees the photo.
Just imagine.
The continuing adventures of one man's quest to achieve publication, validation, and money-make...shun...
Tuesday, September 1, 2009
Thursday, August 20, 2009
The Coolness Gap - Musicians Versus Writers
Have you ever noticed that musicians seem a lot cooler than writers? Picture a successful musician, say, Bruce Springsteen. I mention Springsteen because:
A) He's from my era and plays the kind of music I listen to,
B) He's still successful after thirty-five years, and
C) He's from my era and plays the kind of music I listen to.
But if you're younger and hipper than me - another way of saying that would be "if you're reading this" - feel free to substitute the musical artist of your choice, but it has to be someone who has been very successful for a long time.
Now, take Springsteen (or your appropriate substitute) and compare him to, say, Stephen King, a writer who is also from my era and who also has been successful for around thirty-five years.
When you think of Springsteen you think of four hour shows in front of packed houses filled with screaming fans, sweat dripping, guitar chords ripping through the night, Big Man Clarence Clemons wailing on the sax.
Now picture Stephen King, and what do you see? A guy who has become arguably the most successful American novelist ever, at least in a commercial sense, but a guy typing away in his attic, hair falling down over his glazed, manic eyes while he conjugates a verb or something.*
Let's face it, musicians have really gotten this public perception thing down while writers have a long way to go. For example, a musician says, "I laid down a couple of really hot tracks today." A writer says, "Great day today, I wrote fifteen hundred words! First draft, of course."
Now you tell me: Which one sounds like he's going to go out for drinks in his leather jacket with a different chick on each arm, and which one sounds like he's going to relax by getting out his trusty Singer sewing machine and stitching up that pesky hole in his LARPing costume?**
This is not to say that being cool is the most important thing in the world; at least I hope it's not because if it is, I might just as well hang it up right now. And we all know there are much more important things in this life than your coolness quotient, at least once you graduate junior high. But still, wouldn't it be kind of, I don't know, cool to be viewed by people as cool?
And as a general rule, I think it's safe to say that when most people think of musicians, they think, "Hip, maybe just a little dangerous." You know, cool. When most people think of writers, they think, "When was the last time that guy took a shower?"
I'm not sure what the solution is, or even if a solution is possible. And guys like Stephen King could care less whether you think they're cool as long as you're willing to purchase their books. Stephen King's got so much money he could buy the Merriam-Webster company just to eliminate the word "cool" from their dictionary if he wanted to.
But as a struggling writer, it would be sort of cool (there's that damn word again) if people pictured me like I was a struggling musician instead. Unfortunately I don't know how to play an instrument and my voice sounds like fingernails on a chalkboard, so I had better get back to my manuscript now. I really should take a shower, but I'll just get to that tomorrow. Maybe. I'll need to bang out my fifteen hundred words first.
*Note to Mr. King: I know I'm not even on your radar, but if you should ever happen to see this post, please don't crush me like a bug. When I said "glazed, manic eyes," I meant that in the most positive, admiring way possible. And remember, I did call you "arguably the most successful American novelist ever." Don't forget that part.
**This is not meant to imply that there's anything wrong with LARPing. Or that it's weird in any way. Everyone should be free to relax in whatever manner they choose, and when you can't get a date it leaves you with a lot of empty time to fill.
A) He's from my era and plays the kind of music I listen to,
B) He's still successful after thirty-five years, and
C) He's from my era and plays the kind of music I listen to.
But if you're younger and hipper than me - another way of saying that would be "if you're reading this" - feel free to substitute the musical artist of your choice, but it has to be someone who has been very successful for a long time.
Now, take Springsteen (or your appropriate substitute) and compare him to, say, Stephen King, a writer who is also from my era and who also has been successful for around thirty-five years.
When you think of Springsteen you think of four hour shows in front of packed houses filled with screaming fans, sweat dripping, guitar chords ripping through the night, Big Man Clarence Clemons wailing on the sax.
Now picture Stephen King, and what do you see? A guy who has become arguably the most successful American novelist ever, at least in a commercial sense, but a guy typing away in his attic, hair falling down over his glazed, manic eyes while he conjugates a verb or something.*
Let's face it, musicians have really gotten this public perception thing down while writers have a long way to go. For example, a musician says, "I laid down a couple of really hot tracks today." A writer says, "Great day today, I wrote fifteen hundred words! First draft, of course."
Now you tell me: Which one sounds like he's going to go out for drinks in his leather jacket with a different chick on each arm, and which one sounds like he's going to relax by getting out his trusty Singer sewing machine and stitching up that pesky hole in his LARPing costume?**
This is not to say that being cool is the most important thing in the world; at least I hope it's not because if it is, I might just as well hang it up right now. And we all know there are much more important things in this life than your coolness quotient, at least once you graduate junior high. But still, wouldn't it be kind of, I don't know, cool to be viewed by people as cool?
And as a general rule, I think it's safe to say that when most people think of musicians, they think, "Hip, maybe just a little dangerous." You know, cool. When most people think of writers, they think, "When was the last time that guy took a shower?"
I'm not sure what the solution is, or even if a solution is possible. And guys like Stephen King could care less whether you think they're cool as long as you're willing to purchase their books. Stephen King's got so much money he could buy the Merriam-Webster company just to eliminate the word "cool" from their dictionary if he wanted to.
But as a struggling writer, it would be sort of cool (there's that damn word again) if people pictured me like I was a struggling musician instead. Unfortunately I don't know how to play an instrument and my voice sounds like fingernails on a chalkboard, so I had better get back to my manuscript now. I really should take a shower, but I'll just get to that tomorrow. Maybe. I'll need to bang out my fifteen hundred words first.
*Note to Mr. King: I know I'm not even on your radar, but if you should ever happen to see this post, please don't crush me like a bug. When I said "glazed, manic eyes," I meant that in the most positive, admiring way possible. And remember, I did call you "arguably the most successful American novelist ever." Don't forget that part.
**This is not meant to imply that there's anything wrong with LARPing. Or that it's weird in any way. Everyone should be free to relax in whatever manner they choose, and when you can't get a date it leaves you with a lot of empty time to fill.
Sunday, August 16, 2009
Of Foul Balls and Typing Monkeys
I've been watching baseball for over forty years, since the late 1960's. Not continuously, of course, although my wife might argue otherwise. I'm a huge sports fan to begin with, but baseball was my first love as a kid and it remains my favorite sport today, barely edging football and anything with cheerleaders for the top spot.
As a long-time Red Sox fan, I've pretty much seen it all: No-hitters and thirty-run games, World Championships and epic collapses, pitchers throwing no-hitters and batters hitting for the cycle, miraculous comeback wins and debilitatingly depressing defeats.
But in all the time I've spent watching professional baseball, I have never seen what I saw during the Red Sox-Texas Rangers game today in the steamy afternoon heat of Arlington, Texas.
In the fifth inning of a game in which the Rangers were leading the Red Sox 3-2, Texas' Josh Hamilton fouled a pitch from Junichi Tazawa in the air down the third base line. The ball ended up in the second deck,where it was caught for a souvenir by a kid who looked like he was maybe ten or twelve years old. Nothing special there; the kid had come prepared, wearing his glove, ready and waiting for the exact opportunity that presented itself.
On the very next pitch from Tazawa, Hamilton again fouled a ball in the air down the third base line, in the exact same spot as the previous ball, where it was caught by the exact same kid!
I'm no mathematician, so I have no idea what the statistical odds against that situation occurring might be. I have seen, on very rare occasions, the same fan get two balls hit to him or her in the same game, but on consecutive pitches? Never. Not even close.
The stadium the Texas Rangers play in holds close to fifty thousand people, although there were not that many people at today's game. So if you can imagine a structure large enough to hold that many people, and then imagine an object the size of a baseball being thrown at around ninety miles an hour to a batter trying to hit it with a stick, and further imagine that ball ending up in the same spot on two consecutive pitches, you don't even have to be a sports fan to appreciate the sheer unlikelihood of that happening.
Not to beat a dead horse (why would you want to do that anyway?), but I just can't wrap my mind around what I saw in that game today. Maybe it's just the oppressive heat getting to me, maybe nobody else cares about two August foul balls in a Major League Baseball game, but that was the sports equivalent of the old theory that if you let a monkey type random letters on a keyboard long enough, eventually you will get Shakespeare.
His work, that is, not the actual guy, who as we all know is long dead. That would just be gross. And boring.
As a long-time Red Sox fan, I've pretty much seen it all: No-hitters and thirty-run games, World Championships and epic collapses, pitchers throwing no-hitters and batters hitting for the cycle, miraculous comeback wins and debilitatingly depressing defeats.
But in all the time I've spent watching professional baseball, I have never seen what I saw during the Red Sox-Texas Rangers game today in the steamy afternoon heat of Arlington, Texas.
In the fifth inning of a game in which the Rangers were leading the Red Sox 3-2, Texas' Josh Hamilton fouled a pitch from Junichi Tazawa in the air down the third base line. The ball ended up in the second deck,where it was caught for a souvenir by a kid who looked like he was maybe ten or twelve years old. Nothing special there; the kid had come prepared, wearing his glove, ready and waiting for the exact opportunity that presented itself.
On the very next pitch from Tazawa, Hamilton again fouled a ball in the air down the third base line, in the exact same spot as the previous ball, where it was caught by the exact same kid!
I'm no mathematician, so I have no idea what the statistical odds against that situation occurring might be. I have seen, on very rare occasions, the same fan get two balls hit to him or her in the same game, but on consecutive pitches? Never. Not even close.
The stadium the Texas Rangers play in holds close to fifty thousand people, although there were not that many people at today's game. So if you can imagine a structure large enough to hold that many people, and then imagine an object the size of a baseball being thrown at around ninety miles an hour to a batter trying to hit it with a stick, and further imagine that ball ending up in the same spot on two consecutive pitches, you don't even have to be a sports fan to appreciate the sheer unlikelihood of that happening.
Not to beat a dead horse (why would you want to do that anyway?), but I just can't wrap my mind around what I saw in that game today. Maybe it's just the oppressive heat getting to me, maybe nobody else cares about two August foul balls in a Major League Baseball game, but that was the sports equivalent of the old theory that if you let a monkey type random letters on a keyboard long enough, eventually you will get Shakespeare.
His work, that is, not the actual guy, who as we all know is long dead. That would just be gross. And boring.
Saturday, August 1, 2009
Broken Hearts and Haunted Houses
One thing I discovered when I started writing short stories and trying to find places to get them published was that there are plenty of outstanding writers who toil in relative obscurity, and not all that many places for them to showcase their work. So when I learned of a new online magazine called "House of Horrors" that was looking for horror/dark fiction stories to include in their first issue, I didn't waste any time submitting a story, which was eventually accepted and included in that debut issue.
Now, House of Horrors editor Samantha Cox has compiled a charity anthology called Mausoleum Memoirs, a book which includes twenty-nine scary stories involving the theme of haunted houses. Included in this book are efforts from talented authors like Charlotte Emma Gledson, Sarah Basore, Gayle Arrowood, LB Goddard and S.E. Cox herself. Oh yeah, and me.
The best part? Not only do you get to scare yourself silly reading this nearly two hundred page compilation, but by purchasing the book you are helping children who could really use your assistance. All profits from the sale of Mausoleum Memoirs are being donated to the official charity of House of Horrors, the Birmingham Children's Hospital Intensive Care Unit in Birmingham, U.K.
In the Acknowledgements page prefacing Mausoleum Memoirs, Samantha Cox describes the issue she wants to help fix: "At present there are a lot of children being born or developing heart problems and there aren’t enough intensive care beds and neo-natal care beds to hold these children. Because of this, a lot of them are on long waiting lists to get the treatment they need. Some even die. I too have had a taste of this terrible affliction on our children. Both of my daughters were born with heart defects. I am lucky enough to say that we have come out the other side with them alive and well. The same cannot be said for some families."
If you'd like to earn more about Birmingham Children's Hospital, check out this link.
Wanna scare yourself and help out sick children? Follow this link to purchase Mausoleum Memoirs. The two hundred page trade paperback is available for $14.04, or is available as a download for just $3.51.
Yeah, times are tough financially, and if you're a reader, you probably need to seriously consider what you will be spending your hard-earned cash to buy. But if you do select Mausoleum Memoirs, as Sam Cox says in the Acknowledgements page of the book, "Birmingham Children's Hospital thanks you from the bottom of their broken hearts."
Now, House of Horrors editor Samantha Cox has compiled a charity anthology called Mausoleum Memoirs, a book which includes twenty-nine scary stories involving the theme of haunted houses. Included in this book are efforts from talented authors like Charlotte Emma Gledson, Sarah Basore, Gayle Arrowood, LB Goddard and S.E. Cox herself. Oh yeah, and me.
The best part? Not only do you get to scare yourself silly reading this nearly two hundred page compilation, but by purchasing the book you are helping children who could really use your assistance. All profits from the sale of Mausoleum Memoirs are being donated to the official charity of House of Horrors, the Birmingham Children's Hospital Intensive Care Unit in Birmingham, U.K.
In the Acknowledgements page prefacing Mausoleum Memoirs, Samantha Cox describes the issue she wants to help fix: "At present there are a lot of children being born or developing heart problems and there aren’t enough intensive care beds and neo-natal care beds to hold these children. Because of this, a lot of them are on long waiting lists to get the treatment they need. Some even die. I too have had a taste of this terrible affliction on our children. Both of my daughters were born with heart defects. I am lucky enough to say that we have come out the other side with them alive and well. The same cannot be said for some families."
If you'd like to earn more about Birmingham Children's Hospital, check out this link.
Wanna scare yourself and help out sick children? Follow this link to purchase Mausoleum Memoirs. The two hundred page trade paperback is available for $14.04, or is available as a download for just $3.51.
Yeah, times are tough financially, and if you're a reader, you probably need to seriously consider what you will be spending your hard-earned cash to buy. But if you do select Mausoleum Memoirs, as Sam Cox says in the Acknowledgements page of the book, "Birmingham Children's Hospital thanks you from the bottom of their broken hearts."
Tuesday, July 21, 2009
Good News and Bad News
As a short-story writer and aspiring novelist who has been trying, without any measurable level of success, for the last roughly eighteen months to get the attention of a literary agent and/or small/independent publisher, I am a subscriber to and loyal reader of Publishers Lunch.
This is a daily (more or less) email that is free and is packed with news to make a writer:
A) Jealous - There is a section called "Deal News" that is, well, exactly what you would think. It gives details on some of the contracts that have been signed for work to be published, as well as the agent(s) involved in many cases.
B) Informed - There is a section that deals with trends in the marketplace. Unfortunately in this economy, more often than not the news is bad. Bookstores that have been around for decades closing, pubishing houses consolidating, you know the drill.
C) More informed - There is a "People" section that details the comings and goings at publishing houses, literary agencies, the big bookselling chains, etc.
If you're like me and you are trying to get your foot in the publishing door in order to kick it open and you haven't yet subscribed, you might want to reconsider. I've learned a lot since I started reading my daily "Lunch," and it has two really cool things going for it.
1) It only takes a couple of minutes to read, especially since you can scan through the stuff you don't care about and only concentrate on what you are interested in, and
2) It's FREE!
If you're interested in subscribing, just follow this link.
Anyway, I mention all of this because included in today's issue of Publishers Lunch is the "Good News, Bad News" (at least for me) that I mentioned in the title to this post.
The Good News: From the Wall Street Journal comes news that some Borders superstores in Michigan have "created expanded sections...focused on teen shoppers, providing graphic novels, fantasy and young-adult books together along with non-book merchandise focused on teens, and expects to roll-out the concept throughout nearly all of their superstores nationwide in August."
Great news for anyone who looks at the BIG PICTURE! If the printed word is not to simply survive but to flourish in the coming decades, it is critical to get and keep the attention of the youngest readers. I'm not even fifty years old yet, but I remember a time when the only real competition for reading a book on a rainy day was television - and we only got four channels, even though I grew up just thirty miles outside Boston!
Now there is HDTV with limitless channels to pick from, there are video games so real you might think you stepped inside a movie set, there are CD's and DVD's and iPods and iPhones and Blackberries and...well, you get the idea. So devoting more space to teen books and merchandise can only be a good sign for everyone who wants their words to be read.
The Bad News: I don't write young adult books! From my (strictly selfish) perspective, a much better plan for Borders and every bookstore would be to expand the spaces in their stores devoted to the categories of Thrillers/Suspense/Horror Fiction. Then, more books in these genre would be required, leading to more opportunities for, well, you know, me.
But anyway, I like to think it's a reason for optimism that the biggest corporate chains are opting to try to develop the interest of the people who might make or break the literary world over the next half-century or more, as all of the changes that are coming in the world of publishing begin to take place. They wouldn't be doing it if they didn't think they could make money at it, which I view as a good sign for authors everywhere...
This is a daily (more or less) email that is free and is packed with news to make a writer:
A) Jealous - There is a section called "Deal News" that is, well, exactly what you would think. It gives details on some of the contracts that have been signed for work to be published, as well as the agent(s) involved in many cases.
B) Informed - There is a section that deals with trends in the marketplace. Unfortunately in this economy, more often than not the news is bad. Bookstores that have been around for decades closing, pubishing houses consolidating, you know the drill.
C) More informed - There is a "People" section that details the comings and goings at publishing houses, literary agencies, the big bookselling chains, etc.
If you're like me and you are trying to get your foot in the publishing door in order to kick it open and you haven't yet subscribed, you might want to reconsider. I've learned a lot since I started reading my daily "Lunch," and it has two really cool things going for it.
1) It only takes a couple of minutes to read, especially since you can scan through the stuff you don't care about and only concentrate on what you are interested in, and
2) It's FREE!
If you're interested in subscribing, just follow this link.
Anyway, I mention all of this because included in today's issue of Publishers Lunch is the "Good News, Bad News" (at least for me) that I mentioned in the title to this post.
The Good News: From the Wall Street Journal comes news that some Borders superstores in Michigan have "created expanded sections...focused on teen shoppers, providing graphic novels, fantasy and young-adult books together along with non-book merchandise focused on teens, and expects to roll-out the concept throughout nearly all of their superstores nationwide in August."
Great news for anyone who looks at the BIG PICTURE! If the printed word is not to simply survive but to flourish in the coming decades, it is critical to get and keep the attention of the youngest readers. I'm not even fifty years old yet, but I remember a time when the only real competition for reading a book on a rainy day was television - and we only got four channels, even though I grew up just thirty miles outside Boston!
Now there is HDTV with limitless channels to pick from, there are video games so real you might think you stepped inside a movie set, there are CD's and DVD's and iPods and iPhones and Blackberries and...well, you get the idea. So devoting more space to teen books and merchandise can only be a good sign for everyone who wants their words to be read.
The Bad News: I don't write young adult books! From my (strictly selfish) perspective, a much better plan for Borders and every bookstore would be to expand the spaces in their stores devoted to the categories of Thrillers/Suspense/Horror Fiction. Then, more books in these genre would be required, leading to more opportunities for, well, you know, me.
But anyway, I like to think it's a reason for optimism that the biggest corporate chains are opting to try to develop the interest of the people who might make or break the literary world over the next half-century or more, as all of the changes that are coming in the world of publishing begin to take place. They wouldn't be doing it if they didn't think they could make money at it, which I view as a good sign for authors everywhere...
Saturday, July 18, 2009
Letters I'd Like to Receive
As someone who spends a lot of my time - too much time, some would say - stringing words together in interesting and (hopefully) entertaining ways, there are some combinations of words I never seem to see. Here are a few of those combinations in the form of emails or letters that would really appeal to me:
1- "Dear Mr. Leverone,
After reviewing the submission of your full manuscript titled [The Fixer/Paskagankee/Final Vector/Hard Target - any of them would be fine, I'm not that fussy], we here at [take your pick of any reputable literary agency, I've queried most of them and as we've already established, I'm not that fussy] are pleased to offer representation to you. We believe strongly that your work offers nearly unlimited sales potential, and look forward to working closely with you..."
2 - "Dear Mr. Leverone,
We here at the IRS have completed an exhaustive review of our internal record-keeping procedures, and have determined that you have consistently overpaid your income taxes by several thousand dollars per year over the last twenty years. After adding interest and the penalties we are charging ourselves for not catching our record-keeping error, we have determined that we owe you $500,000. We have included a check for the appropriate amount and will be in touch if we discover you are owed more..."
3 - "Dear Mr. Leverone,
As a high-ranking member of FAA management here in Washington, I would like to personally apologize to you and all air traffic controllers in the FAA for our shabby treatment of you over the last three to five years. The way we handled the contract 'negotiations' three years ago - refusing to give in at all on any issue and then imposing the highly restrictive and unfair work rules which we laughingly insisted on calling a 'contract' when we walked away from the table - was insulting and juvenile on our part.
The way we bullied a group of hard-working professionals over the most ridiculous issues (forcing people who work inside a dark room surrounded by barbed-wire fences and protected by armed guards to dress in 'business casual' clothing, refusing to allow controllers to leave their facilities during the work day even to get food or coffee, arbitrarily changing the pay structure and rules on training and time off) was short-sighted and wrong.
We adopted the mantra of 'Run It Like a Business,' even though most of our managers have little to no business training or experience and couldn't be trusted to manage a lemonade stand. Plus, as we all know, air traffic control is not a business but a service enterprise in which safety should be valued above all else, including cost-cutting and bullying employees.
We have learned our lesson and hereby pledge to end the autocratic management style we have employed for the last half-century or so. We will work in a cooperative manner to accomplish the changes this agency so sorely needs to make..."
These are just a few of the emails or letters I would love to receive. Of course, I'm not exactly holding my breath, but you never know, right?
1- "Dear Mr. Leverone,
After reviewing the submission of your full manuscript titled [The Fixer/Paskagankee/Final Vector/Hard Target - any of them would be fine, I'm not that fussy], we here at [take your pick of any reputable literary agency, I've queried most of them and as we've already established, I'm not that fussy] are pleased to offer representation to you. We believe strongly that your work offers nearly unlimited sales potential, and look forward to working closely with you..."
2 - "Dear Mr. Leverone,
We here at the IRS have completed an exhaustive review of our internal record-keeping procedures, and have determined that you have consistently overpaid your income taxes by several thousand dollars per year over the last twenty years. After adding interest and the penalties we are charging ourselves for not catching our record-keeping error, we have determined that we owe you $500,000. We have included a check for the appropriate amount and will be in touch if we discover you are owed more..."
3 - "Dear Mr. Leverone,
As a high-ranking member of FAA management here in Washington, I would like to personally apologize to you and all air traffic controllers in the FAA for our shabby treatment of you over the last three to five years. The way we handled the contract 'negotiations' three years ago - refusing to give in at all on any issue and then imposing the highly restrictive and unfair work rules which we laughingly insisted on calling a 'contract' when we walked away from the table - was insulting and juvenile on our part.
The way we bullied a group of hard-working professionals over the most ridiculous issues (forcing people who work inside a dark room surrounded by barbed-wire fences and protected by armed guards to dress in 'business casual' clothing, refusing to allow controllers to leave their facilities during the work day even to get food or coffee, arbitrarily changing the pay structure and rules on training and time off) was short-sighted and wrong.
We adopted the mantra of 'Run It Like a Business,' even though most of our managers have little to no business training or experience and couldn't be trusted to manage a lemonade stand. Plus, as we all know, air traffic control is not a business but a service enterprise in which safety should be valued above all else, including cost-cutting and bullying employees.
We have learned our lesson and hereby pledge to end the autocratic management style we have employed for the last half-century or so. We will work in a cooperative manner to accomplish the changes this agency so sorely needs to make..."
These are just a few of the emails or letters I would love to receive. Of course, I'm not exactly holding my breath, but you never know, right?
Sunday, July 12, 2009
Twitter? Me? Really?
I'm not someone that you would ever consider to be on the leading edge of the world's technological advancements, okay? I know how to use my computer, sort of, at least for the things I use it for: Writing, researching, maintaining my website, and getting my daily dose of Myspace and Facebook. But it's not like Stephen Jobs is ever going to ring me up and ask my opinion on anything.
So maybe it only makes sense that I don't understand the latest sensation, the Twitter craze. Maybe the light bulb will go on with me someday, typically a couple of years after everyone else, and I will begin tweeting like mad, updating my thousands of followers on every facet of my fascinating existence.
But the problem with that is, what the hell am I going to tweet about?
I guess I can kind of understand normal folks following the every move of famous people in our celebrity-crazed culture. It seems there are plenty of people who want to be updated the minute Britney buys a new pair of panties or Tyra Banks throws another camera at someone or any Hollywood superstar says something vacuous and stupid (Any time, in other words).
Sure, there's a market for that. Who doesn't want to be informed when Brad and Angie are going out the front door to attend a $10,000 fundraiser in support of some nutty politician or the latest PC craze?*
But that doesn't mean anyone wants to hear about my life.
"Getting ready to eat lunch. Should I go with the fish sticks or the mac and cheese? Hmm. Can't decide." Or maybe, "Saw 86 vanity license plates on my drive to work today! A personal best!" Or I could blow my followers away with this one: "Feeling a little gassy after that lunch of fish sticks and mac and cheese - clear a path to the men's room!"
Okay, maybe I'm exaggerating what it would be like a little bit. I don't even like fish sticks. But still, who is going to follow my Twitter updates? I can admit it, I'm a pretty boring guy. I work forty hours a week at a job I've done for twenty-seven years, I try to raise my kids the best I can, and I write. I love to write. Exciting, isn't it? I know, it's sending chills up and down your spine.
Oh well, like I said, maybe I'll get the attraction of Twitter in a few years. When I do, watch out; you're going to learn my every waking thought. Yikes.
*I admit it - I have no idea whether Brad and Angie are even still together or whether they have ever attended a $10,000 fundraiser to support some nutty politician or the latest PC craze. I was just playing the odds.
So maybe it only makes sense that I don't understand the latest sensation, the Twitter craze. Maybe the light bulb will go on with me someday, typically a couple of years after everyone else, and I will begin tweeting like mad, updating my thousands of followers on every facet of my fascinating existence.
But the problem with that is, what the hell am I going to tweet about?
I guess I can kind of understand normal folks following the every move of famous people in our celebrity-crazed culture. It seems there are plenty of people who want to be updated the minute Britney buys a new pair of panties or Tyra Banks throws another camera at someone or any Hollywood superstar says something vacuous and stupid (Any time, in other words).
Sure, there's a market for that. Who doesn't want to be informed when Brad and Angie are going out the front door to attend a $10,000 fundraiser in support of some nutty politician or the latest PC craze?*
But that doesn't mean anyone wants to hear about my life.
"Getting ready to eat lunch. Should I go with the fish sticks or the mac and cheese? Hmm. Can't decide." Or maybe, "Saw 86 vanity license plates on my drive to work today! A personal best!" Or I could blow my followers away with this one: "Feeling a little gassy after that lunch of fish sticks and mac and cheese - clear a path to the men's room!"
Okay, maybe I'm exaggerating what it would be like a little bit. I don't even like fish sticks. But still, who is going to follow my Twitter updates? I can admit it, I'm a pretty boring guy. I work forty hours a week at a job I've done for twenty-seven years, I try to raise my kids the best I can, and I write. I love to write. Exciting, isn't it? I know, it's sending chills up and down your spine.
Oh well, like I said, maybe I'll get the attraction of Twitter in a few years. When I do, watch out; you're going to learn my every waking thought. Yikes.
*I admit it - I have no idea whether Brad and Angie are even still together or whether they have ever attended a $10,000 fundraiser to support some nutty politician or the latest PC craze. I was just playing the odds.
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